Tuesday, December 23, 2008

Gay Bars In Peterborough Ontario






The ability to change skin of this reptile, became a symbol of regeneration, rebirth, and eternity. In different cultures, mythologies and religions, the snake has embodied both positive and negative forces. Knowing good and evil embodied the symbol of wisdom, the Hindus have a word to call it snakes and wise.

Its symbolism is twofold, first death embodies their relationship with the underworld, but also represents life and rebirth cyclically to renew your skin and "emerge" from the ground. He has been accompanying many Gods and Goddesses, and was herself one of Them. India speaks of Ananta, the cosmic serpent is coiled at the base of the cosmic axis. Means "without end" and symbolizes the cyclical development and resorption of the universe. Located at the base of the world, at the nadir, and it is their support.

The snake is associated with the knowledge that emerges from the bowels of the earth, is united to the wisdom of Mother Earth and shares the processing power of the moon. During the Bronze Age and Iron, the Mother Goddess had many names and always was associated with snakes. At the same time is a phallic symbol, clearly male, repeated self-regenerating duality.






QUETZALCOATL "The Plumed Serpent"



Quetzal: Ave, pen.
Coatl: Snake.



Columbian

God, considered by some as the chief god of the Aztecs (but also of the Toltecs, Mayas, and Olmecs kukulcan). Because they considered that the whole universe has a dual nature, the Toltecs believed the Supreme Being has a dual status. On the one hand, creates the world, and the other one destroyed. Destructura part of Quetzalcoatl was embodied in the God Tezcatlipoca, "the smoke in the mirror", whose etymology is: Tezcatl, "mirror", I, "his" Little, "smoke." This was sometimes seen as a rival to Quetzalcoatl, while others were seen as "opposite his twin brother.

In the Nahuatl language, coatl, besides meaning "snake" also means "twin." Although the official version is that the twin brother of Quetzalcoatl is Xolotl, the god of lightning, ghosts, the underworld and Venus the evening star, like Quetzalcoatl was also related to Venus as a star morning. Represented as a dog and deformed feet, accompanied the sun in its journey to the underworld. In water as it relates to the Axolotl (Xolotl-Atl-water monster) commonly known as "Axolotls.

Quetzalcoatl, was considered the god of wind, and the art of the goldsmith, the corn crop. The serpent is identified with the water that runs off the land, rivers and springs, and at the same time be closely connected with the earth. In the Codex Laud, Quetzalcoatl is seen as wind blowing on the water, sitting in the water, showing their genitals, representing the breath of life and fertility.

Mayans called him Kukulcan - uk'um and kaan k'u 'pen and serpiente'-each year you can see how a snake formed by light rays traveling down the main staircase dela pyramid of Chichen Itza on the equinox in March and September. Perhaps because of the climatic environment of the Yucatan Peninsula and Guatemala, as well as Kukulcan or Gucumatz was known, was considered not only the God of wind, but thunder.




























Sugaar-MALE SNAKE. Basque Mythology *



also called "snake." It is said that this númen or mythological being across the sky as a figure of fire (like a "partner" the Goddess Mari). The popular belief that this event heralded said storms and tempests.

usually lived in the basement, and underground pipes used to reach other caves: Uztei (in the bush Balerdi) another in the pit of Agamenda and Sugartzulo of Kuutzegorri in Ataun to name a few. He said

Lope García Salazar in "Chronicle of the seven houses of Biscay and Castilla "in 1954," Sugaar married a princess of Mundaka and the marriage was born John Zuria, first Lord of Biscay. Also called Sugoi, name arratiano sometimes she seems like a snake or a man. In Azkoitia Maju Maju or call him and says the popular memory is the husband of Mari. They say they are every Friday and when they are together they form strong storms "

Sugaar The snake was observed in the cosmogony of the Basque witch and Akelarre met on Friday by the union just Sugaar and Mari. It was described as a huge snake that frightened the only view and that moved at high speed against the sky and its underworld. Some scholars think that this is the next "masculine" of the Goddess Mari. In the valley of Arratia (Bizkaia), there are a few legends that say that sometimes Sugaar has been shown in human form, even to interact with locals. Dice

Sorginkova: AR (from Sugaar) animal is the male principle in the language of Euskera, while Sugar is translated as "Tongue of Fire." Sugaar name analysis reveals the flame of a fire ("sacred?) That acts as an enhancer of male first court undoubtedly savage and primitive, a power that's sort of a sexual nature and fertility. This is quite remarkable considering that in the legends, as we have seen, Sugaar has an undeniable tinge of sexual union with Mari on Friday causing a furious storm and rain, while at the same time, the phenomenon of the rain itself is mythologically represented as the semen of Heaven (Ortzi) Amalur fertilized womb. For rather obvious reasons, the survival of paganism reflected in the Sorginkeria (Basque Witchcraft) noted carefully these days, and said with great importance. "





GODDESS OF SNAKES-CULTURE Minoan Crete .


Minoan religion based on the figure of a Mother Goddess cult and the consequent fertility was represented by the figure of the Goddess of the Serpent, also known as The Lady of the Labyrinth. Another very important sacred symbol in Crete was the Toro, which represents the fertilizing power, strength and life.

Although much remains unknown about this culture and religion, and not just the experts agree, is obvious to the observer of the nature of the message symbols of the serpent and the labyrinth. Again, his image as being that possesses the quality of rebirth itself, to stop being and become something new to moult appears as a symbol of initiation, a journey to the afterlife and return, which of course is reflected recalling the cycles of "death" which is sacrificed for the return renewed and fertile land. We know, for example, caves were considered sacred and religious sites, possibly as an entry to the underworld.

The Minoan religion is clear that the tree, pillar, column, represents the sacred center which enables communication with the supernatural, the communication between the "top" with the world "bottom" and in turn, connecting the physical world with the supernatural world. The place where this occurs is the sanctuary, represented as a mountain, like a fence. In this area, the snake would be the passenger, sliding down the pillar-tree-column between worlds, bringing wisdom and renewal of one world to another.












BATON Aesculapius / ASCLEPIAS


Asclepius or Aesculapius to the Romans, says he was the son of Apollo and Coronis (kopove-crow long life) daughter of King Flegias, but as this was unfaithful to him and being pregnant, God killed with an arrow and then rip your child from the womb of his dead mother. Another version says that Flegias had a love affair with Apollo and gave birth in secret to Asclepius leaving it abandoned to their fate, and powered by a goat and care for a dog. Apollo
upbringing of Asclepius to the centaur Chiron, who taught him the art of medicine and to come to raise the dead. At death was elevated to God and was reflected in the constellation of the Snake (Ophiuchus) was highly revered in ancient times and was supposed to cure through the earth: The patient had to sleep on the ground and so would have a vision you would like to be cured of their ills.

symbolized by a serpent, and its emblem a stick around which is twisted. This emblem has become the caduceus medical class.

This symbol embodies the transformation by chthonic forces.


In at least one of the myths seen, we see represented the idea of \u200b\u200blife arising from death, as Asklepios was snatched from the womb of his dead mother. Idea is strengthened by the gift that God had this: the gift of healing, even back to life to the dead. Healing, rebirth, healing, "going back", all symbolic qualities of the snake. The cure was "prescribed" during sleep, the unconscious world and therefore of the inner-underground.





CONTINUE ....


* Sources are at the foot of the page

Monday, October 6, 2008

Kerala Name For House In Sanskrit

Mexico: The Feast of Death.




We mortals all have to go, we will all die
on earth ...
like a painting, we will
all blurred.
Like a flower, we will dry

here on earth ... Meditate
, gentlemen eagles and tigers, although you are
jade, gold
although you, you will go there too

the place of rest.
We must wake up, nobody will be
.


Nezahualcoyotl, King and poet (1391-1472)


The feast of the dead is linked to the pre-Hispanic agricultural calendar, it is the party that was held when started the collection or harvest of corn, squash, beans and chickpeas. That is, is the first major post-season banquet shortages in previous months and that was shared with the dead. The celebration of Day of the Dead in Mexico, has a pre-Hispanic origin, that is, before the English arrived to the continent. No record that these celebrations, ethnic Mexican, Maya, Purépecha, Nahua and Totonac with a length of at least 3000 years.

The original festival that later turned into Day Dead is celebrated in early August and lasted about a month, the festivities were presided over by the goddess Mictecacíhuatl, known as the "Lady Death" and wife of Mictlantecuhtli, Lord of the land of the dead.



Lady Death


JOURNEY BEYOND THE

Ancient peoples believed that when people die, the soul traveled to other places to go this way the deceased was buried with a dog, which would help to cross a river and come to Mictlantecuhtli, who was to deliver, as an offering, torches and bundles of reeds perfume, cotton (Ixcatlán), red thread and blankets. Those who went to Mictlan (the other world) received as an offering, four arrows and four torches tied with cotton thread. Mictlan was composed of 9 sites, 8 were killed and challenges for the 9-the deepest, could achieve eternal rest.


Mictlan The nine dimensions were: 1 .- Apanohuaia

or Itzcuintlan: Here was a mighty river, the only way of crossing was by means of Xolotl. If life was not kind to a dog, the dead man was in this dimension for eternity. 2 .- Tepectli

Monamictlan: A place where the mountains collide yes. 3 .- Iztepetl

: Cerro blade, this place was strewn with flints. 4 .- Izteecayan

: Place where the wind blows the blades, this was a site with a saw consisting of eight hills and snowing heavily. 5 .- Paniecatacoyan

: A place where bodies float like flags, this place was at the foot of the hill last Izteecayan and there began a very cold desert area, consisting of eight wilderness that had to go. 6 .- Timiminaloayan

: The place where arrows, here said was a path unseen hands whose sides sent to shoot down arrows pointed to the interns. 7 .- Teocoyocualloa

: Where the beasts feed of hearts. In this passage, a wild beast opened the chest of the deceased to eat his heart, because without this body, the person fell into a pool which was fiercely pursued by an alligator. 8 .- Izmictlan

Apochcalolca: The Way of fog that blinds in this place had to wade through nine rivers before reaching the place where he waited for his break-threatening.
Chicunamictlan
9 .- Here the souls found rest for your souls. It was the deepest places of the lords of death.

After passing all these obstacles, we come to the release of his tonalli (soul). The trip lasts four years posthumously.



Earth Lord of the dead.


For its part, the dead children had a special place called Chichihuacuauhco, where he was a tree whose branches dripped milk for that feed. Children who came here again destroy the earth when the race that lived there. In this way, death reborn life.
pre-Hispanic burials were accompanied by offerings that contained two types of objects: those who in life had been used by the dead, and you might need on its journey to the underworld. During

called Tlaxochimaco, was carried out Miccailhuitntli celebration or party called the dead ones, around 16 July. This festival began when he cut the tree in the forest called xocotl, which took away the bark, and they did flowers for decoration. In celebration involving all, and made offerings to the tree for twenty days.
In the tenth month of the calendar, is celebrated Ueymicailhuitl, or great festival of the dead. This celebration took place around August 5 when he said that fell on xocotl. At this festival processions were held which concluded with rounds around the tree.




With the arrival of the English, there was a syncretism with the Catholic church festivals, the first day of November marks the day of "All Saints" and the two on the "faithful departed" but even now the first date is reserved for the dead children, and the second for the dead adults. It has become a party representative of Mexico, where people honor their ancestors and is prepared to receive them once a year back home to his family.





Towns and cities are prepared in advance, and in some populations the Church bells announce the hour in which the souls of the dead return to the world, the place of meeting are the cemeteries. Large door-shaped structures are made of wood and covered with flowers cempoalxochitl, this flower is special because they say its characteristic smell has the ability to attract the souls of the dead, and through the aroma and can find their way back the world of the living and to meet their loved ones will be waiting with the dishes in life were his favorite. No food on the altars, the traditional "dead bread, candy, fruit, chocolate, tamales, mole, mezcal, is decorated with papel picado, candles, sugar skulls and placed copal incense. For children deceased are brought candy and toys. But it is a celebration would be sad or not, music is brought to enliven the night time.





Some people prefer to build altars in their home, then make a path of petals Cempoalxóchitl from the street to the door of his house, with candles on the sides so that their dead relatives are not lost the dark and can find their way back home. They put pictures of the family to be invited that night and the altar contains essentially the same as those that rise up in cemeteries or parks.


face of these days and nights full of memories and families of two worlds together is a bad idea not to pity those who no one remembers or expects, so also make offerings to "encourage one" to celebrate in the streets stands a niche where placed a candle, a glass of water and flowers.






Again, the bells of the church announced that the dead must return to another world, until next year.


When Death RIE


The truth is that for Mexicans, death is naturally intuited in everyday life, we know that walking on one side and created ways to keep a good relationship, we laugh at her, not as a joke, but as a friendly joke, shows that the famous "skulls" short and funny rhymes that are traditional, written as a mockery to show the ephemeral nature of life

English is

skull skull

Italian Maximilian

same

and

Roman pontiff and the cardinals

dukes, kings, councilors

and the head of the nation

in the tomb are the same:

skulls galore.

Unknown.


Heritage.


In a ceremony held in Paris, France on November 7, 2003 UNESCO honored the Indian holiday Day of the Dead as a Masterpiece of Oral and Intangible Heritage of Humanity.



The distinction by UNESCO consider the festival is:


"... one of the most important representations of the living heritage of Mexico and the world, and as one of the oldest cultural expressions and more force among indigenous groups in the country. "



Also in the declaration document highlights:


"This annual meeting between people who celebrate and their ancestors, has a social function that remembers the individual's place within the group and contributes to the affirmation of identity ... "
plus:


" ... although the tradition is not formally threatened, their aesthetic and cultural dimensions must be preserved for the growing number of non-indigenous expressions of a commercial nature tend intangible affect its content. "




Dedicated to my daughter without fail, year after year the dead of night, lets his bis sweet cello and my great grandmother Antonia, which feed many stray dogs in the hope that help her cross the big river ...




Best Traveling Camera Backback

The truth about Halloween.




For thousands of years, the period that marks the halfway point between the autumnal equinox and solstice Winter has been identified as important in many cultures, this is because our ancestors were still able to notice and see what we see now because of our modern lifestyle. This period marked the end of the harvest and early winter when the days became shorter and the nights beginning the longest long, harsh winter.

In everyday life we \u200b\u200bthink it is not important the passage of the seasons, not to worry because the winter arrives and will have to go hunting, there is no longer the custom of honoring our ancestors and spirits visit is something you see on TV. However, despite the mirage of our modern security is still part of that whole has enveloped us since the beginning of time.



These parties in the present have turned to jokes and sweet, ruled by marketing, have different origins, one of them, Samhain was considered as the beginning of the Celtic year. Calendar divided the year into two halves, the dark half the lunar cycle which began in October-November (Samonios) and half clear that began with the April-May lunation (Giamonios). It was the dark half the year as beginning this without giving any negative connotation now gives the dark Christian influence. Understood the darkness as The Beginning and The End, the womb, where everything is created and where it will: in the loving arms of Mother Earth to be transformed death into new life. This is also why the spirits of the dead was a matter for them in this time of year: it was believed that the boundary separating the living and the dead disappeared in this time, and so the spirits could roam freely around the world. Food offered to the spirits for two purposes: one was to share with their families killed and another was to appease the wandering spirits that they could be evil spirits were not only the dead who could move into the world of the living but entities of another nature.


When Christianity triumphed over the pagan peoples, the efforts of the Catholic Church to remove these beliefs and traditions were not successful and that's how Samhain became the eve of All Saints "All hallows Eve" that contraction the word became "Halloween."




Herne the Hunter

All these fears and doubts were beginning to legends such as The Night Parade, whose theme is repeated in several places in Europe: Ireland, England, Wales and Scotland, as well as Germany, France and some parts of northern Peninsular (Iberian). The Hunter is the God of the Hunt and at the same time the God of death in Wales Gwyn ap Nudd was called and Ireland, Gaelic language Cumhaim Finn mac. The interesting thing about this myth is what hunting the hunter: souls. Yes, this person was in charge of collecting the souls of the dead in the battlefields. In some parts of England is called "Herne the hunter," perhaps his most famous name, and even today it is said that his appearance predicts some misfortune for the country or the monarchy.








The Legend of Jack: turnips, pumpkins!

The Irish had a habit of turnips to within a yard to light the way of their dead relatives and ward off evil spirits, which to come to America to find the pumpkins became in what is now Halloween pumpkins. A curious 18-century Irish tale picks up this tradition in the form of the famous Jack.


Many, many years, a mean and tough Irishman named Jack, had the misfortune to meet the devil in a tavern on Halloween. Jack, known drunk, drank a lot but could trick the devil offering his soul for a nightcap. The devil was transformed into a coin to pay the bartender, but Jack quickly took it and put it in your wallet. As Jack had a cross in his purse, the Devil could not return to its original shape. Jack would not go to hell until he promised not ask his soul in 10 years. The devil had no choice but to give Jack his claim.



Ten years later, Jack met the Devil in the countryside. The devil was ready to take the soul of Jack, but Jack thought quickly and said: "I will gladly, but before you do it, bring me the apple tree that is in that please?". The devil thought he had nothing to lose, and jumped reached the tree, but before the devil it knew, Jack had quickly carved a cross in the trunk of the tree, then the Devil could not come down.


Jack
the devil made him promise never to ask him his soul back. The devil had no choice but to aceptar.Jack died a few years later, but could not enter heaven, because during his life had been a gulf, a drunkard and a swindler. But when he tried to enter, at least, in the dreadful hell, the devil had to send it back because I could not take his soul (he promised). "Where will I go now?" Asked Jack, and the devil replied, "Go back where you came from."




The way back was dark and terrible wind would not let him see anything .. The Devil threw Jack a burning coal directly to hell, to be guided in the darkness, and Jack put in a turnip he was eating, so they do not go out with viento.Jack was doomed to wander forever in darkness. ..


Thursday, July 10, 2008

Korean Movie Hynotised

Het-Hert (Hathor). The Lady of Turquoise. NEITHER


I venerate the Goddess Golden
Magnificent in Her Majesty
exalt the Heavenly Lady of the Top of the sky,
I
Het Hert prayers and chants for my wife.

(Papyrus Chester Beatly SZ3)




Het-hert name Hathor in Egyptian or Greek name. Its name means "House of Horus and is depicted with a hawk in a square. For millennia the Egyptian deity linked to this love, sensuality, motherhood, breastfeeding and femininity. Also had important implications cosmic and celestial, and was worshiped as a sun goddess and the sky. In regard to the burial area, also enjoyed a role.

In ancient myths She was known as the Celestial Cow, and mother of the Sun God Aset Later when I take this role is Het-hert became the daughter of Ra and consort of Heru, representing the protection of the solar deity manifesting as a Falcon. Keeper of the survival of the monarchy, Heru was the patron of kings and it was hert Het queens. Het hert

was associated with predynastic goddess Bat, who was related to the sky, cows and fertility and was represented as a woman's face with cow ears (wig) hair curly. Still

almost always been depicted as a lovely, slender woman with cow Cueno solar disk over the wig. Seen as protection and support (breastfeeding) of the pharaoh. In his vengeful aspect was the Eye of Ra, looking Lioness (Sekhmet) and as the cobra Uraeus, sacred symbol and protection of the monarchy.

In a less frequent was represented by a hippopotamus. After he represented as a celestial cow, was awarded the sycamore tree as sacred to her, and so was called "Lady of the Sycamore" and represented in tombs at Thebes as a tree that provides milk and water, shade and break the spirits of the deceased. In Thebes was known as "Lady of the West," guardian deity of the spirits in the afterlife. So that was presented as a protector of the pharaoh, finished extending its protection to all the spirits of the dead and it was she who welcomed them into his kingdom.




She is "Master of the Western Desert" and "Master of the Necropolis." This represented UNDAF tombstones and papyrus as a wild cow emerging from the papyrus in the swamps. This image in particular about his relationship between the world of the living and the world of the dead: that between life in the Nile Valley and the tombs of cementerio.Como Lady of Turquoise, Hethert was connected with the success and welfare from the mines of Sinai, turquoise symbolized for kemet the sky and the light of dawn well that is linked to concepts of Renaissance, procreation, fetilidad, attributes very much in agreement with those of Het hert.

RITUAL OBJECTS:

musical instruments were two particularly important in the rites of Het-hert, and used by the priests and priestesses, the rattle and menat necklace. they were used to eject the ISFET (the evil) and attract blessings and purifying. But the collar menat was much more than an ornament, it was a symbol strongly associated with magical and deeply Het hert, one of its emblems identifiers and looks like it could be considered a kind of transmitter power. The magical power associated menat collar also a resurgence, with an environment conducive to the transformation and revitalization. Hence the menat were to have implications for renewal ceremonies as the Heb-Sed, which reached significance in the funerary sphere and an object to be offering to the gods. The shape of the counterweight menat, possible origin, meaning and symbolism, has been an issue that has generated some controversy. Some researchers have found that the form could come inspired by certain cases used for installing mirrors to which was added to bring a rope around their necks, others have compared the shape of the menat very schematic image of the female body; other researchers believe that this item refers to female sexuality showing the shape of a vagina, some have seen in the menat stylized form of the sexual organs masculinos.Otro of sacred objects was the mirror, it was used in a ritual called " Mirror Dance "in the 5th dynasty. In ancient times mirrors were considered luxury items, which were stored in boxes made for that purpose, or arm is worn in a soft pouch, were made of polished metal disk-shaped and the handle used to be representations Het hert or goddesses or objects related to the concept, representing the sun in gold and silver to the moon.



Collar Menat

The color red was associated with Het-hert, was known by the title of "Master of red fabric" and a priest in Dandera title was "That which unites with the red cloth on his throne. " Part of the dress of the priestesses of het-hert was a narrow red cloth tied around his neck hanging back. This kind of scarf was also used by dancers to dance in honor of Het hert, but used differently: around chest and hanging on the back, in other representations are used around the neck and excess slack on the shoulders. Another

hert Het connection with Red is the myth of the destruction of humanity as a form of Sekhmet, when for pacifying and prevent end all humanity, red dye mixed with beer imitating blood after drinking Sekhmet became intoxicated and fell asleep driving to be the gentle lady before.

Vista also as goddess of drunkenness, presided at the celebration to be held in Dendera 20 days after the flooding of the Nile

SEVEN HATHOR

Species of goddesses of fate or tooth fairy stories, determined the fate of the newborn in particular in the heart of the royal family and were represented in cows or taking foma accompanied by a bull, "the bull of the West, lord of eternity" and four oars that symbolize the cardinal points. In Ptolemaic times were identified with the Pleiades. These seven deities "minor" issues were somewhat Het hert had the ability to change a bad fate for other more favorable.

In the tomb of Queen Nefertari, wife of Ramses II, the seven Hethert have the following names (though in other texts are given different names):


- House of the Ka, Mistress of the Universe

- The Hidden Residing in the Locality-

-Jemmis, which ennobled the God

- The Surrounding into heaven, which raises

the Gods - Great in Love, Hair Bermejo

- one whose name has power over the West

- Your Name flourishes through your ability


Ancient Words of Praise


" Hail, oh, Gold, Sovereign of the Sun, the Supreme Lord Uraeus!

You, the mysterious, which gives life to the divine entities, which shapes the animal model to your whim, molding men ...

Oh Mother! ... You are the light, which forces back into the darkness, illuminating the human beings with the rays, I salute you, oh, great, that of multiple names ... You

, from whom the divine entities in your name Mut-Aset! You

that you breathe into the throat, Daughter of Ra, who spits in your mouth with the name of Tefnut!

Oh, Nit, you came on your boat with the name of Mut!

O venerable mother, you who crush your opponents with the name of Nekhbet!

Oh, You who know how to use rightly the heart,

you to beat your enemies with the name of Sekhmet!

is the Golden ... Lady of Drunkenness, music, dance, incense, the crown.

Lady of Young women, who hailed the men because they love it!

Gold Is the Divine Entity that pops into your station, in the month of IPIP, the New Moon day, the feast ...

Heaven rejoices, the earth was full of joy, Heru Castle rejoices. "


(Translated version of M. Alliot, Le Culte d'Horus à Edfu, pp. 491 et seq.)

http://www.hethert.org/

Friday, March 21, 2008

Coprocessor Compaq Presario

Dancing




"I'm all that has been, is and all that will be. No mortal has been able to boost veil that covers me "- Plutarch, inscription of the temple of Neiht


" ... Neith the Great, The Mother ... you start the game when there was no delivery occurred. "

Tehenut," "the Libyan"

"that gave birth to Ra"

"The Haunted"

"Breastfeeding Crocodile "

" Mother Goddess "

Mother of all gods"

"Lady of the West"



Neith Neith, Nit.

is depicted as a woman the yellow skin that characterizes ordinary sex in Egyptian art and leads the Red crown of Lower Egypt or a shuttle loom.





representative symbols are: arc, two crossed arrows and sticks, with an owl. He was also represented as beetle, bee, cow, fish, lion-headed, and sometimes breast-feeding a crocodile.



Egyptian goddess of war and hunting, although it was considered the goddess of wisdom (some equated with Athena), whose cult proveniene predynastic period, the texts should be presented as a goddess before Ta-tenen and Nun. Wife Seth and mother of Sobek in the Old Kingdom, although he came from Sais was the wife of Sobek.


In the New Kingdom became the "mother goddess" androgynous creator of gods and men. It is said that, although a female deity, is two-thirds male and one third female and the father calls from parents and mother of mothers. Although the inscription is dated to the second century AD, we know the original source corresponds to a much earlier period, as its creative action are already contained in the Nineteenth Dynasty, particularly on the sarcophagus of Merneptah.

Goddess who gave birth to the universe through seven arrows (or seven words, they also said that created by the word) represents the primordial waters which gave rise to the primordial hill, texts appeared as a cow (like Hathor, Hesat, Ihet or Mehet-Urt) that emerges from the primordial chaos and helps out the sun. Legend has it that the goddess appeared first in the form of cows, simultaneously emerged from the primordial waters and swam north to find the fish lates, his partner, which in turn is another of his many transformations. Under the guise of fish lates, was venerated at Oxyrhynchus and Esna. This is the point of attachment to the myth of Osiris, it was believed that the fish was born from the wounds of Osiris (by contact with water) produced when his brother Seth killed him and threw his remains into the Nile According to local theology, the tomb of Osiris was located right on the temple of Neith at Sais, and she was the guardian of it.

Another center of worship was Esna, which was known as "The Terror", here was the wife of Khnum and the mother of Apophis, the Saite period is a domestic goddess and proclaimed it the "Mother of all gods", was also a funerary god, "Lady of the West", protector of the dead.

beetle-shaped, appears with some frequency in predynastic objects and in the Old Kingdom, in the form of bee, is connected to Lower Egypt and a of the five names of the monarch. In fact, in the city of Sais was commissioned a temple to the goddess who bore the name of The Bee House. Beneath its funeral and inventor of the tissue as a goddess, Neith is offering bands and the shroud for the body of the deceased to be buried properly.

In the New Kingdom became the patron of weavers, and in this role is confused with Tayto. From the Old Kingdom was the protector of Osiris, Ra and the king, defending his bow against the enemies of the night and the geniuses of the bad dreams, which numbed with arrows.





Sunday, February 24, 2008

Good Conceited And Cocky Quotes

you get a. ...




THE LABYRINTH

or Knossos Knossos was the largest city
Minoan civilization that reached its peak in the second millennium BC. The Minoan civilization arose during the Bronze Age, and developed on the island of Crete. It was one of three principal cultures of Aegean civilization, along with the Cycladic, which took place in the Cyclades and the Mycenaean civilization.


Knossos Palace

The flagship building was the palace of Knossos, with its 17,000 m² and more than 1,500 rooms, was the main palace in the Cretan who wanted to see the headquarters of the legendary King Minos.

agglutinates whole complex around a central courtyard and is divided into two major groups, East and West, separated by two entrances to the north and south. Because of the way of building of the Minoans, gradually adding rooms, these runners are not in a linear arrangement, but are arranged randomly, following a tortuous path.
about religion did not have anthropomorphic deities (which would be very related to the cults of the Neolithic to the forces of nature), but the Great Mother Goddess, goddess of fertility also known as the Grand Lady of the Labyrinth, which is represented in traditional dress occasions with the Minoan and snakes in both hands, they also symbols of fertility of the land forces.





Goddess of Snakes


The palace was identified as the labyrinth Minos imprisoned the Minotaur, from which the myth of Theseus and his fight against horrible beast. Access to the palace from the western courtyard was made through a covered corridor, the western porch, where there was a cool relief to the theme of the game of the bull. The road went down a long hallway at an angle, the rider of the processions, so called because it is decorated with a fresco in which young men and women, natural size, carrying valuable offerings.


The whole feel of the Minoan palace is a maze and it is not strange, the corridors leading to actual dependencies and zigzag-shaped key, the steps are not straight, but often are shaped curve so that the visitor was led to their dependence and actual reliance by an indirect route with a detour.


Labyrinth yet in a Indo-European name (suffix-nth-) is not known whether it applied to the whole palace or a room where apparently a complex dance dancing (called the labyrinth), part the ritual of the Great Mother Goddess between light and darkness (life and death), the steps would be drawn on the ground marking the direction of the ball. This duality was also represented at the palace itself in its winding ways?



These "labyrinthine dances" were of an erotic nature with which honored the spring. Should be an imitation of ritual partridge hunting through booby-trapped mazes (such as truces) and dance in question represented the female partridge approaching the bait does, to the point that the dancers were limping and wearing wings on the back.


appears that the spring was carried out throughout the Mediterranean basin this erotic dance of the partridge.


THE DANCE OF THE PARTRIDGE

* An Etruscan wine jar Tragliatella in which two heroes are riding, shows the religious theory about the dance of the partridge. The front rider is carrying a shield on which is drawn a partridge, and a demon of death sits behind him, the other hero carries a spear and a shield is painted a duck. Behind them is a labyrinthine pattern similar to that found not only in certain coins of Knossos, but also the intricate drawings on the grass and stepped on the British school Easter until the nineteenth century.

* On the island of Gothland, there is a design very similar to the circular maze that appears on coins from Knossos. These are found on islands in general, or near the sea coast, and was known by various names in different localities.


Fishermen and farmers say they were used games for kids: a girl standing in the middle while the boys were going along the winding roads, but said they were in any case, since antiquity, and believed that idea may have originated in the Bronze Age. This is clearly seen as repeating the idea of \u200b\u200bthe dance of the partridge and fertility.

Other similar studies have been found in Iceland, which consists of concentric circles of stones, sometimes with a cross in the center, which have long been known in the province of Brandenburg, Germany.
seem to have escaped the notice of most writers on the issue long before the nineteenth century these objects were described by an antique Swedish.



The names are given in the various localities where found are of some interest .. Around the coast of Finland Jatulintarha names (Near Giant) and Pietarinleikki (san pedro kit) predominate. About Helsingfors are more often called as "ruins of Jerusalem," "City of Nineveh," or "Walls of Jerusalem"

In Norway and Sweden are sometimes called Nunnentarha (Siege of the nun), Jungfrudans (Dance virgin), or Rundborg (Ronda Castle), and on an island in the Kattegat Trelleborg name (The castle of the giant or troll) is, but more often they are known by several names similar to the "city of Troy, as Trojin, Trojeburg, Trojenborg or Tröborg. Another name often associated with them Steintanz (Dance of stones) .. The maze is called Tröjeborg Wisby.




LABYRINTH DANCE

Game Trojan

According to Roman tradition was introduced in Italy Aeneas and his son Ascanius and then Alban kings taught and through them to the Romans. The game was a kind of procession or dance, in which some participants appear to have been mounted on horseback. Virgil makes a comparison between the intricate moves of the game and turns the Cretan labyrinth.


GERAN THE DANCE


Val. Camonica, Italy. Crane Dance


The dance performed by Theseus and his friends on the island of Delos. So called probably due the attitude of the dancers looking like the cranes in flight, or perhaps because of real ornaments of the dancers. (A traveling German eighteenth century relates that the Ostiaks Russian Siberia had an elaborate dance of the crane, and that Dancers dressed as birds.)
Gerano back to the dance or the crane, it was said that this was a representation of the passage of Theseus in the labyrinth, entry and exit, following first the opposite direction to the sun and back then using a thread. In some accounts it is said that Ariadne was participating in this dance, in another only with other young Theseus in honor of Aphrodite.
The truth is that the crane dance has been made in many places, but that's what makes it so special? According
Nerissa Russell, associate professor of anthropology at the School of Arts and Sciences at Cornell, and Kevin McGowan, a research associate of the Cornell Laboratory of Ornithology in its letter: "Dance of the Cranes: Crane symbolism in Catalhoyuk and Beyond:
"The dance of the cranes is one of the most obvious signs of any social bird. It's amazing and impossible to overlook - for people today, as well as cultures ago thousands of years, "is a dance that involves running, marching and jumping in the air, flapping their wings strong, stop and start branching into the air.
In ancient Anatolia, in what is now Turkey were found wings of cranes of eighty-five centuries old with holes in them in what was presumably a kind of bird costume for a dance ritual, think this because the holes were not made as a way to break up the wing or the removal of flesh rather to pass a rope through the holes and surround the arms or the dancers, according to Russel. The wings were encontrandas in the company of other unusual items: a cow's horn, two horns of wild goats, the skull of a dog and a head of a stone hammer as a weapon.
DANCE, BIRDS AND FERTILITY RITES
FRANCISCA CANO MARTIN ABREU (Excerpt)
primitive matrilineal societies in girls perform ceremonies transit appear soon after menarche (first menstruation). To prepare, instruct the wise to play the role of adult.
After participating in rites of puberty in the spring, when the New Year begins in many primitive cultures, at the time of planting the crop, when vegetation renewed and open flowers. For this rite girls are believed to symbolically die and be reborn as women, or that they will renovate and open like flowers. Participate in a ritual dance of union with boys, imitating the courtship dances choreographed birds, while encourage each other with chants. "The earliest known are the dances of love imitating certain species of birds, and character of gymnastics" (Encyclopedia, U., Volume 7, 1988: 210).
During the celebration, like female birds choose the future spouse, girls choose their partner or boyfriend and then go to have sex after the bushes. In some regions, boys and girls dance together. In others, children, beautifully dressed to increase the possibility of being elected, they dance in front of girls (in imitation of the male birds choreographers in the courtship displays, display the beauty of their breeding plumage color has changed compared to other stations). Sometimes make rhythmic movements and staging sexual intercourse with either the head or whole body.
During the prelude to the mating dances in certain regions, young people choose to the most handsome guys linked by his neck with one of your ties, or your scarf or your necklace garlands. In other regions that choose to have more "tail" (a word that also applies to the male sexual organ). Similar to the criteria of beauty or the size of the pens that encourages females of different species of birds choreographers to choose their male consorts: Depending on the view and grandeur to unfold the tail fan (as in the alpine ptarmigan or ptarmigans) or the length of the tail feathers (as in birds VUID / als of Senegal and Paradise or earwigs, which at the time they grow two very long nuptial plumes).
The "Danza de la Pava" in Peru today "Tondero" which was danced in time before the discovery by Tallan indigenous culture. "Take note that our tondero Ornitomórfico choreography has a profile mimicking the movements of the kettle in a ceremonial mating (picking the side skirt from the bottom up and with both hands toward the back like a tail and simulating an approach determined body union). " (Riofrio, 2003).
In Guarani peoples, Paraguay aborigines, dance dance "Tango", in which men dance together and separated women also dance together. (The real choreography of courtship the male tanager bird or dancer, in their courtship displays, is placed on a branch and displayed a male after other in front of a female representations repeating until the female decides who will be his consort). There are other dance related Paraguayan origin of birds courtship: "Cielito Chopi" Chopi eponymous bird, pigeon, black bird with yellow breast and red of the Upper Parana,
In Santiago del Estero, Salta and Tucuman, Argentina dance Quichua original dance called "Pala Pala" Crow "in which a man imitates the courtship of a crow to your partner. In Jujuy, Argentina to dance the dance of "Queo", in which the dancers dance imitating the movements of a wild bird, dance legacy of Aboriginal Jujuies.

In Chile there is a dance called "sin" in which the pair of dancers mimic his arms and feet movements of the couple's courtship eponymous bird. In the initiation ceremonies for girls of Aonikenk or Tewelches of Chile, the men ran: "... the Dance of the ostriches. The men intended to participate in the ceremony went straight from an awning. With his body covered head skins and ostrich feathers, began to circle around the fire as close as touching, and retreating movements imitating the walk of the ostriches and guanacos. " (Navarro and Munoz, 2002).

Friday, February 22, 2008

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Friday, February 8, 2008

Tech Deck Championships 2010

The Spiral and The Bee

Game of the Goose





The game is a spiral consisting of 63 squares. The number 7 multiplied by 9 gives us 63, and each box with the number 9 and its multiples have the image of a goose.

other hand the writer Rafael Herrera Alarcón, author of "The Other Spain's Temple," "In the Shadow of the Templars, Puzzles Magic of Spain" among others, states that the goose game consists of 64 boxes and not 63 as stated: "The correct number of boxes is 64. Of these, 63 are numbered and the last, 63, is the Gate of the Garden of the Goose, the garden itself has no number but accounts for 64. But, as center Mystical, not numbers ever. 6 + 4 = 10 1 + 0 = 1, Unity, the One, the Invisible.
is a confusion created by printers, making the board without knowing the ancestral tradition. The board has suffered many strains in modern times we use to study the oldest "esoteric

Some believe the Game of the Goose, is a symbolic map of the Camino de Santiago encryption, where the Templars and Partners Builders, marked places that had a particular significance. It would be a rebus, where the symbols were known to the initiates of the Order, and that allowed an understanding to all Knights of the Order regardless of the language of each. Those who attribute its origin to the Templars, with the theory that, they would use for their leisure time in Jerusalem, the shells of the "Nautilus", which assigned him apart from the recreational component, a cryptographic message that only certain members of the Order, were able to decipher. On this, Rafael Alarcón explains:

"The Templars, can they played at the Goose, as everyone in the Middle Ages. But they did not invent the game, the game comes from classical antiquity at least. This is a fake news "thank you" to the Internet runs like wildfire.
Similarly, the game is not a "map" Camino de Santiago, both paths have points in common, they respond to a similar symbolism are mutually influenced, but the game is not the Way. This fanciful and misguided interpretation comes from intellectual speculation, some authors did for the 70 and 80 of the last century, about the symbolism of the Game of the Goose. "


Origins of the Game Oca :

Phaistos Disc






The discovery of the Phaistos Disc in 1908 in the ruins of Palace of Crete (Greece) opened a new line of research on the origins of the game. Phaistos disc belongs to the Middle Minoan III period and so their age must be within the range from 1580 to 1700 BC C. It consists of a clay disk, circular and about 16 cm. in diameter and 2.1 cm. thick. Both sides of the disk containing spiral paths, which are divided into 30 and 31 boxes, which appear in several drawings, among which we can appreciate the figure of 8 birds, which could well be geese. Hieroglyphs representing
:
Characters: men, women and children in body, bare heads and helmets.
Animals: fish, birds.
Plants: flowers, swords
Miscellaneous objects: containers, weapons, ships ...

There have been many theories about the meaning of this record, some historians think the Phaistos disc reproduces a letter: a hymn (Fernández, 2001), whose characters would be the script (pictographic script representing identifiable objects) that was used in Crete in the time that was modeled and recorded around 1700 BP. O is considered as a matrix for the cymbals. We read in the Encyclopedia U. Volume 23 (1988, 101): "In Faistos was discovered the famous album of that name and, according to Dr. Pernier, is a matrix of cymbals used in traditional rites of a great goddess, which was recorded in the invocation that the worshipers would sing it. Contains a hymn in verses docmíacos dedicated to Minerva. "(Being the docmio, a foot consisting of a verse poetry short, two long and two short and 8 units in length).





The Symbol of The Goose

Goose's name has been kept in various European linguistic expressions. In Spain, has kept the name Oca, but most used the term goose ansar
The problem to decipher the myth of Paw has been unable Oca mostly because of the many stories on it are counted, leading to confusion and sometimes contradiction.

Robert Laffont, in his "Dictionary of Symbols", indicates that the Goose was very important in the Egypt of the pharaohs. For example, the hieroglyph of Geb, heir to the throne of Horus, is a goose and a leg. He adds that when the pharaohs were identified with the sun, his soul was represented in the form of a goose, as is the sun Oca hatched early.

also expressed that the geese were seen as messengers between heaven and earth. The advent of a new king was announced, among other rituals, releasing four geese to the four directions.

To the Celts, the goose was also a messenger from another world. The Romans, meanwhile, paid him special attention, as were the geese, the geese of the Capitol, which warned in time a surprise attack. Charpentier

any mythology says that the goose is a symbol that reflects the "insider" and it is given from the earliest times. Goose is usually symbolized by his leg, which seems right as this was the principal hallmark of her.



This sign of the Goose is also the story of a Queen Pedauque (goose foot) with a sense of "initiation." This Queen Pedauque (not to be confused with the story of Queen Patojo, variant also goose foot) seems to be originating from the region of Toulouse in the French side of the Pyrenees. This seems right, because after the innovations of the barbarians, and perhaps before, there is only one way of initiation in the West and its tradition is in the Pyrenees, the Cantabrian coast and the coast of the estuaries of Galicia to the open Atlantic . Charpentier
make a real journey through the initiatory path acknowledging the permanence of geese throughout their length.

"But we discovered (...) goose with its original name Oca or Indo-European version of "goose" or "loop"

"In the region of Jaca, origin of the road, so we" Anso "in the" valley of Anso "crashed not far from the" barracks Lizarra "(instead of stars in Basque language). We return to find it again in the nomination of two streams, which bear his name and took him: the river "oja" Alfredo Gil River was originally believed that the river "goose" and who gave his name to the "Rioja" then another "river Oca, Montes de Oca, where there is a" Peak Piedraja "that it seems to be "Stone Jars (goose), not far from a" Ocon, "which is quite expressive."

In the course of the Camino de Santiago, there are two areas in which populations persist name: Duck, Goose, Ansar, Jar .. The Rioja region of Villafranca Montes de Oca. Berciana area from El Ganso to Vega de Valcarce.

Mari, númen main Basque mythology is represented in many different ways, you may receive from a lady dressed in red satin, even as a village more often
identifiable by having a foot of duck or goose (which described as Lamia Queen of the fairies for excellence in Euskal Herria). The lamias are nocturnal creatures that have a female anthropomorphic figure, but her feet are actually legs, usually palmípeda.Viven bird on the banks of rivers, where they often dip when they detect human presence, but there is a legend too extended counts as a pastor and a lamia fell in love.

* Bertha, Queen Pedauque French folklore, is the queen Visigoth Ragnachilde, Eurico wife, was later identified Bertrana, the mother of Charlemagne, which was famous for her deformed foot. In the tomb of Pedauque is an allegorical figure that has made the legend speaks of a Goose Pie Queen lying there, turning what should have been a foot deformity in poultry.
Legend Pedauque attributed to order the construction of a bridge. Berta or Bertrana is famous for being a benefactor of children, so the mob turned in no less than the fabled Mother Goose. Hertha is Queen Pie de Oca that builds and governs the bridge, but she is also the same bridge. This has survived in Christian clothing, such as the Puente de la Reina de interesting name-in Navarra, in the middle of which is a chapel dedicated to a Black Madonna and protects a crucifix with the figure of the symbol peculiar Pie de Oca



Tuesday, January 29, 2008

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Queen Bee

Bees have always been a symbol of divinity and after the monarchy. The queen bee to everyone else was served, was seen in the Neolithic as an epiphany of the Goddess herself.

- seems that this cult of the bee extended from Crete to the islands of the Aegean and mainland Greece. Mythology Jupiter realizes that his childhood was fed with honey than had Melissa, daughter of a Cretan king, to a cave where they had hidden the child.


The seal of a ring of gold (1450 BC) in a tomb in isopathic locatd near Knossos. Shows the relationship between the Goddess and her priestesses with the queen and pawns, and others performing a dance. This ring was found in a tomb in Crete, probably because the bee was considered the life out of death. The Bee Goddess stamp appears in the center, down to earth between snakes and lilies and being adored by her priestesses. Honey was used to embalm the dead.



. Honey also played a central part in the new year in the rituals of the Minoans. The new year began in the Cretan summer solstice, when the heat was at its peak, and July 20 was the day that the great star Sirius rises in conjunction with the sun, as in Sumeria and Egypt. In these other two countries Sirius was explicitly called "the star of the Goddess" (Inanna in Sumeria, Egypt and Isis), and the temples, palaces on Crete were oriented to this star. Sirius Rising ending a 40-day ritual during which we obtained the honey bee hives in the darkness of the caves and forest. The honey was made and fermented mead and drunk as an intoxicating liquor which accompany ecstatic rites that were celebrated.
(Goddess bee Sumeria)


onyx jewel also found in Knossos shows Labiosa bee taking horns of a bull's head and double ax inside the curve of the horns. Dogs - dogs later belonging to the underworld Hecate and Artemis - have wings and fly so close that their wings goddess, at first glance, appear as their own.





tombs at Mycenae are shaped like beehives, and the omphalos at Delphi in ancient Greece, where Apollo ruled with its main oracular priestess, the Pythia, who was called Delphic Bee. In the Greek Homeric Hymns to Hermes written in the eighth century BC, the god Apollo spoke of three women visionaries like three bees or bee maidens, who like himself, practiced divination. These bee-maidens sacred with his gift of prophecy, Apollo was the gift of Hermes, the god who is the only one who can lead the souls of the dead to life and, sometimes, back again


According
Strabo, Eleusis and Ephesus in the priestesses who once held the ancient mysteries were called Melissai 'Bees', and few initiates who had attained an indisputable purity also received this name. The bee was Melissai or priestesses of Artemis, and were directed by the "king bee" (the Greeks did not know that the bees had no queen and king). Bees were associated with Ephesus for many reasons, it was said that muses in the form of bees were those who had led the Athenians who came to colonize the land.
Figure of Artemis was in his belt and faldafiguras of bees were also found in excavations gold figures. Coins of Ephesus had in any of their faces always bee.



- Egypt begin to represent her as a symbol of man's soul is embodied in the tombs as an image of survival of the soul after death. But at the same time serve as emblematic of the pharaonic dynasties of Upper and Lower Egypt, represented by a bee and a blade of straw. One of the funeral hymns addressed to Pharaoh says userto II and "Married to rush to the bee", a statement that is interpreted as that reigned in the two Egypts. Bees have also been found burial in the tomb of the Pharaoh of Egypt, Ahotpu I.. According to Egyptian myth, honey bees were the tears of the sun god Ra. Its religious significance was extended to an association with the goddess Neith, whose temple in Lower Egypt was known as per-bit - which means "house of the bee '. Honey is considered a symbol of resurrection and also thought to give potection against evil spirits.



(Image: bees in the tomb of Childeric I)

- Within Europe also bees have been found in tombs barbarous Gaul, mainly in the tomb of the Frankish king Childeric (d. 481). The bee became the symbol of the French monarchy.




- In the Basque country were part of the family and they communicate the most important events of family life, because if they did so the bees are dying or leaving the hive.
have always been in the Basque Country and deep respect for
special to the deceased, as evidenced by many old traditions.
after death, the nearest neighbor called relatives and
himself or someone in the house, gave the news to the animals, especially
to bees.
Juan García Atienza, known popularizer of esoteric subjects, speaks in one of his books 1 a curious discovery made by visiting the interior of the parish of San Torcuato: In the corridor leading to a small chapel located between the old apse and the back of the altar, this author found two fresh different from each other but both with similar symbols and certainly very characteristic of esoteric art: Sendos landscaped and quite crushed diamonds each containing bee in the center and two six-pointed star on both ends

- The Maya culture is not known bee goddess, but a fellow bee god of the Moon Goddess, probably influenced by patriarchal culture.